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Comic Book Galaxy: Pushing Comix Forward About Christopher Allen
Christopher Allen has been writing about comics for over a decade. He got his start at Comic Book Galaxy, where he both contributed reviews and commentary and served as Managing Editor, and has written for The Comics Journal, Kevin Smith's Movie Poop Shoot, NinthArt and PopImage; he was also the Features Editor of Comic Foundry and was one of the judges of the 2006 Will Eisner Comic Industry Awards. He blogs regularly about comic books at Trouble With Comics. Christopher has two children and lives in San Diego, California, where he writes this blog and other stuff you haven't seen.

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Monday, August 20, 2007

Art School Confidential

Finally saw this. It's been sitting on my desk for a couple months from Netflix and I just haven't been in the mood. But I finally was, so I watched it. I have to say that it's a pretty decent film that's often funny, but it can't seem to decide if it's a slightly mature coming of age story, a teen sex romp, a scathing satire, or something darker. I do like films that mix genres and moods, but I didn't find this mix altogether convincing or rewarding. The romantic angle was underdeveloped. Max Minghella in the lead wasn't very sympathetic or emotive, so that was a problem. Steve Buscemi played broad but didn't seem to have much motivation except to be an asshole, but John Malkovich was a much more interesting asshole. Jim Broadbent was utterly terrifying, so much so that his scenes almost belonged in another movie. I found ASC a generally entertaining but at times desperate piece of entertainment that never felt like a sure hand was guiding it from script to direction. Dan Clowes is an extremely talented man who nonetheless is rather exposed here, but I must admit I did laugh at all the artsy jokes and found the setup with the shitty artist being respected by everyone over the sincere, very representational Jerome to be constantly amusing.

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