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Comic Book Galaxy: Pushing Comix Forward About Christopher Allen
Christopher Allen has been writing about comics for over a decade. He got his start at Comic Book Galaxy, where he both contributed reviews and commentary and served as Managing Editor, and has written for The Comics Journal, Kevin Smith's Movie Poop Shoot, NinthArt and PopImage; he was also the Features Editor of Comic Foundry and was one of the judges of the 2006 Will Eisner Comic Industry Awards. He blogs regularly about comic books at Trouble With Comics. Christopher has two children and lives in San Diego, California, where he writes this blog and other stuff you haven't seen.

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Sunday, April 15, 2007

Review: Tanpenshu Vol. 1

Tanpenshu Vol. 1
By Hiroki Endo
Published by Dark Horse Comics. $12.95 USD

I know nothing of Endo's popular sf manga, Eden, and came to this book blind. And I'm happy about that, as it was really a pleasant surprise. I may have ordered it based on little but a whiff of good word from someone online, but even those good words often turn out false when it comes to quality comics. A decent description of the three stories can be found here, but I'm not really interested in talking about the plots. As the cover, featuring a fetching girl amid dozens of stuffed pandas penetrated and disfigured by various swords, knives and other pointy items suggests, Endo brings a dark and violent humor to his work. He's also pretty pretentious, but in mostly a good, daring way, challenging the reader to call bullshit on the use of hoary old symbols like crows. His characters also often speak entirely too "on-the-nose," blatantly spelling out their psychological motivations and internal conflicts when actions, gesture, oblique dialogue and the rest of a manga-ka's bag of tricks would have better served. As these works are about nine years old now, I would give him the benefit of the doubt that he's more in command now.

But what I did really like is that each story was very well-drawn, without short cuts or "cool" tics but just a good grasp of composition and when to add lots of detail and when to be austere. I also thought it was funny at times, unpredictable most of the time, and even when it's "on-the-nose," the ideas on hand and the character development is better than average. For unpredictable dialogue and sudden shifts into violence, I find similarities to Tarantino, and while I don't find that level of accomplishment here, it's definitely good, admirable work.

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