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Christopher Allen has been writing about comics for over a decade. He got his start at Comic Book Galaxy, where he both contributed reviews and commentary and served as Managing Editor, and has written for The Comics Journal, Kevin Smith's Movie Poop Shoot, NinthArt and PopImage; he was also the Features Editor of Comic Foundry and was one of the judges of the 2006 Will Eisner Comic Industry Awards. He blogs regularly about comic books at Trouble With Comics. Christopher has two children and lives in San Diego, California, where he writes this blog and other stuff you haven't seen.

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Sunday, August 13, 2006

Review: Tintin in the Congo

Tintin in the Congo
Written by Herge'
Art by Herge'
Published by Casterman. $19.95? USD


I barely remember ordering this book. This would be my second misadventure in trying to read Tintin. The first wasn't my fault--my father gave me Frederic Tuten's Tintin in the New World, a novel featuring Herge's character somewhat ironically: it wasn't an adventure novel, per se--at least not in Herge's style--and it also featured settings and characters from Kafka's story, "The Magic Mountain." In comics terms, it wasn't canon.

And now there's this, which is one of the very first Tintin books, and though I have only my memories of a few skimmed pages of Tintin's later adventures, I think this one is rather below the standards of the usual stories. At least, I hope it is, because otherwise I can't imagine how the series got to be as popular as it is.

Although the book is large and with a sturdy cloth binding, the inside paper is pretty cheap and the art blurry. Reading a little more about publisher Casterman, they don't have the greatest reputation for quality, but I'll give them the benefit of the doubt that perhaps this is the best the art is able to look. It should be noted, though, that the art is not in color like other Tintin stories.

As the title may suggest, this is a story created in a simpler, perhaps more hateful time. Some would argue that it's a valuable addition to the Tintin legacy, warts and all, but I don't think so. Aside from the constant racism (Congo natives are portrayed as superstitious, lazy, stupid or conniving--also Belgian, and Tintin has no problem describing them as such out loud), the story moves quickly but without rhythm, just incident after unpleasant, unenlightened and uninvolving incident. The drawing is fine but Herge's clear line style would evolve greatly later. With its smudgy look and risible content, this reads more like a Tijuana Bible version of a Tintin story. Avoid.

1 Comments:

Anonymous Anonymous said...

Hi, Chris (or should I say MODOK?
It's been quite some time, huh?).

Just a couple of comments about
that Tintin book.

This isn't just Tintin in the
Congo, this is the original
version of Tintin in the Congo
from about 1929-1930! It's a
REALLY old comic, make no mistake,
and the dubious quality of the
story and art should be expected!
There is a redrawn version done in
the 60s which has much better
artwork (and is in color), story
is pretty much the same, but it's
easier on the eyes.

The original version you got is
really for dedicated collectors of
Tintin lore. It hasn't much of
interest for the average reader.
The art was really like that, it's
no fault of Casterman (which is
really a quite good publisher).

But the important thing is that
this story was done before Tintin
became TINTIN! The intricately
plotted and heavily researched
adventures that made the series'
fame only started with The Blue
Lotus. The previous books aren't
nearly as interesting. I would
suggest you to get King Ottokar's
Scepter (another from Tintin's
early years, but done with much
greater care) and read the series
from there. Except for the
Shooting Star, every single one of
the following books is a
masterpiece!

Best,
Hunter (Pedro Bouça)

7:18 AM  

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