The Waters of March
A stick a stone
it's the end of the road,
it's feeling alone
it's the weight of your load
it's a sliver of glass,
it is life, it's the sun,
it is night ,it is death,
it's a knife, it's a gun.
a flower that blooms,
a fox in the brush,
a knot in the wood,
the song of the thrush.
the mystery life,
the steps in the hall
the sound of the wind,
and the waterfall.
it's the moon floating free.
it's the curve of a slope.
it's an ant, it's a bee,
it's a reason for hope.
and the riverbank talks.
of the waters of march
it's the promise of Spring,
it's the joy in your heart.
the foot, the ground,
the flesh, the bone,
the beat of the road,
a slingshot stone.
a fish, a flash,
a silvery glow,
a fight, a bet,
the range of the bow.
the bed of the well,
the end of the line,
the dismay in the face,
it's a loss, it's a find.
a spear, a spike,
a point, a nail,
it's a drip, it's a drop,
it's the end of the tale.
the dew on the leaf,
in the soft morning light,
the shot of a gun,
in the dead of the night.
a mile, a must,
a thrust, a bump.
it's the will to survive
it's a jolt, it's a jump.
the blueprint of a house,
the body in bed,
car stuck in the mud
it's the mud, it's the mud.
a float, a drift,
a flight, a wing,
it's a hawk, it's a dove,
it's the promise of spring.
and the riverbank talks.
of the waters of march.
it's the end of despair,
it's the joy in your heart,
a snake, a stick,
it is john, it is joe,
it's a thorn in your hand,
and a cut on your toe.
a stick, a stone,
it's the end of the road,
the stump of a tree,
it's a frog it's a toad.
a sigh, a breath,
a walk, a run
a life, a death
the rain, the sun
a sliver of glass,
a life, the sun,
a night, a death,
the end of the run
and the riverbank sings
of the waters of march
it's the promise of life,
it's the joy in your heart
Note: I transcribed these from McCorkle's performance, and the lyrics are different in places from the lyrics I found online. She does sing some verses in Portuguese, so you can pick out "Joao" for "John" and such, but I left those alone. I just changed where I could tell she changed the lyrics, and they're mostly for the better. "The will to survive" is stronger than "the end of all strain", and so on.
1 Comments:
Thank you.
I too heard the song for the first time at the end of "Comedian." My wife and I were gripped by the song. We searched for it that night, and learned of the tragic life and death of Susannah McCorkle. Reading the New York Magazine obituary article was like a blow to the chest. I bought a few of her records, and now play them rarely, but I am never too far from "The Waters of March." When I get to thinking about her, and listen to the song, I feel trapped in sadness. I am writing now because you just snapped me out of that with your fresh and optimistic take on the song.
Her talent and intelligence were truly rare. That she lived a life so fascinating, and so haunted can be unbearable to me. I so want just to meet her, to get the message to her that there is a way out, and explain to her how beautiful her music is. Yet, she left this song, which, by my research was already quite popular throughout the world, but she redefined it, took Jobim's lyrics to quite a more soulful and accessible level. She sings a masterpiece, a chrystal clear beauty, with a touch so personal it is as if she is staring into your eyes, touching your cheek as she sings.
Thanks for offering a slightly different view. I think I will hear the song with a little more gratitude and optimism, not so much melancholy.
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